As per our current Database, Monika K. Adler is still alive (as per Wikipedia, Last update: May 10, 2020).
Currently, Monika K. Adler is 42 years, 3 months and 18 days old. Monika K. Adler will celebrate 43rd birthday on a Sunday 5th of January 2025. Below we countdown to Monika K. Adler upcoming birthday.
| Popular As | Monika K. Adler |
| Occupation | Director |
| Age | 42 years old |
| Zodiac Sign | Capricorn |
| Born | January 5, 1982 (Gostynin, Mazowieckie, Poland) |
| Birthday | January 5 |
| Town/City | Gostynin, Mazowieckie, Poland |
| Nationality | Poland |
Monika K. Adler’s zodiac sign is Capricorn. According to astrologers, Capricorn is a sign that represents time and responsibility, and its representatives are traditional and often very serious by nature. These individuals possess an inner state of independence that enables significant progress both in their personal and professional lives. They are masters of self-control and have the ability to lead the way, make solid and realistic plans, and manage many people who work for them at any time. They will learn from their mistakes and get to the top based solely on their experience and expertise.
Monika K. Adler was born in the Year of the Dog. Those born under the Chinese Zodiac sign of the Dog are loyal, faithful, honest, distrustful, often guilty of telling white lies, temperamental, prone to mood swings, dogmatic, and sensitive. Dogs excel in business but have trouble finding mates. Compatible with Tiger or Horse.
Monika K. Adler is an acclaimed photographer and avant-garde filmmaker, known for her challenging and provocative photography and experimental films. Her works have shown in hundreds of film festivals, art museums and galleries worldwide.
Adler graduated from The European Academy of Photography, Warsaw, and Wojciech Gerson's National School of Fine Arts. She first gained attention with the transgressive art-film Chernobyl of Love (2012), filmed in Ukraine, near the ruins of the 1986 nuclear accident.
Her upcoming feature film, Sick Bacchus, tells a story of pathological consumption amongst London's wealthy elite.
Stories connected to World War II and family trauma across generations.
Low-Key Lighting.
Depictions of psychotic women and characters with mental illness.
Explorations of trauma, history, gender, dread and mystery.
Intense erotic aura to the aesthetic of her films.
Cuts to black between scenes.
